KIM YOUNGJOO

What remains of painting when the premise of representation no longer holds? My work begins from this question. I approach painting as a system capable of reconﬁguring its own conditions, an open ﬁeld where material, structure, and perception continuously interact.

The canvas is not a neutral support but an active framework. By dismantling and reconstructing wooden stretchers, I allow structure to generate its own rhythm. Along fragmented lines, the canvas acquires direction and movement, while pigment becomes a record of shifting balance rather than depiction. Painting unfolds into spatial form charged with latent motion and instability.

Rather than producing ﬁxed images, I explore the threshold where painting exists as process, as something that is always forming and reforming. My concern lies not in representation but in the emergence of visual experience itself.

In an environment saturated with instantaneous images, painting oﬀers a diﬀerent temporality, a site where attention regains its depth and vision reclaims its duration.

Send me more information on KIM YOUNGJOO

Please fill in the fields marked with an asterisk

Name *

Email *

Phone

Message

Receive newsletters *

Yes No

Send enquiry

* denotes required fields

In order to respond to your enquiry, we will process the personal data you have supplied in accordance with our privacy policy (available on request). You can unsubscribe or change your preferences at any time by clicking the link in our emails.

KIM YOUNGJOO KOREA, 1987

Send me more information on KIM YOUNGJOO

Cookie preferences